Obstructive Fictions
Interview with Jen Craig
'The moment I give into this temptation to utter this knowledge out loud to anybody else, I will generally see, from how it plays out, that what I have just produced for these people is just a fragile, rickety, laughable thing — like I’ve just put a few sticks together and called it a house.'
'Of course, this means that a monologue has the potential to be so much more dialogic than a conventional dialogue, and the whole of a work so much more multiple than any taxonomic inventory, because nothing approached through the determinedly focused voice of a monologue can ever be seen entirely, nothing can be wholly known. Which is exactly how my life feels.'