Since all conspiracies are a potential threat, and we must also discuss them as cultural objects, then we must grapple with the dilemma of giving them a platform, which risks spreading or strengthening their fallacy. Thus, we face a problem in museum practices – for how can we collect, archive and display conspiracy theories for the museum-going public.
'I try to reveal something about people, because they are so separate so isolated, maybe it’s a way of bringing them together,' she said in a 1977 interview for Men’s Vogue with Craig McGregor. 'I don’t want to exploit people. I care about them.'
I love the weird vulnerability and intimacy this piece creates, a sense of being in somebody else’s head, on somebody else’s computer.